On DeepGenre: Building Character(s)

On the group blog DeepGenre today, I tackle the question of building characters. Specifically, how do you build three-dimensional, believable characters in your stories? I compare building characters to the art of additive sculpture.

On DeepGenre: How to Write a Novel (Part 2)

This morning on DeepGenre, I’ve posted part 2 of my article on How to Write a Novel. (In case you missed it, here’s part 1.) This time I tackle how to get from your finished first draft to the final product. Excerpts: Step 10: Get your first readers’ feedback, and listen to it. This is the difficult part: you need to listen to your first readers. Really, really listen. You cannot argue with them. At … Read more

On DeepGenre: How to Write a Novel (Part 1)

This morning on DeepGenre, I’ve posted a step-by-step guide to writing a novel. Or, at least, it’s a step-by-step guide to how I write a novel. Because every novelist who also blogs has to write at least one of these posts in their lifetime. Really, it’s in the union regulations. Excerpts: Step 2: Noodle around and figure out if your idea is novel-worthy.… Your first real challenge is to explore that idea to see if … Read more

On DeepGenre: What Works on an Author Website?

Today on DeepGenre, I’ve posted a little article asking for reader and book-buyer feedback on author websites, in particular SF author websites. Quick excerpt: So my question today is this: what do you find useful on an author’s website? I think we can all agree that excerpts help, and at the very least, having a blog doesn’t hurt. But what about the rest? Do you read additional material like chapter annotations, deleted scenes, and first … Read more

Why Did You Buy That Book?

One of the regular commenters on the DeepGenre blog I belong to, Jellyn Andrews, posted this in response to author Elaine Isaak‘s comment on some of her promotional methods:

Elaine, I wanted to let you know you’re doing something right. My father and I were at Albacon and attended your reading where you did the drawing for prizes. So now I’m on your mailing list and I recognize your name. I think it was your appeal to bloggers on the fliers you posted that initially caught my attention.

And my father also recognizes your name now, because when we were in Borders Express, he took note when he saw your books. You’d been in there and signed them. And one of the staff overheard us talking about it and joined in. I think he said he went to high school with you, so he liked to promote your work whenever he could.

We often hear in the book business that word of mouth is what sells books, and this comment is a prime indicator of that. In fact, this comment shows that a number of Elaine’s promotional efforts came together to help her out here: word of mouth, a convention reading, a mailing list, fliers, a book signing, and encouraging old friends/classmates to act as evangelists. (Of course, I’m unclear from this comment whether Jellyn or her father actually bought a book, but we’ll let that slide.)

Traditional marketers have a variety of tools they use to test the efficacy of their methods. If you’ve ever registered your DVD player with the manufacturer, you’ve given the manufacturer vital information about where you bought it, what influenced you to buy it, and what factors you took into consideration. Booksellers don’t have that option, because the incentive for the customer isn’t there; you’re very, very unlikely to encounter a defective book that needs returning or servicing. (Although remind me to tell you the story about the time I was trapped on a cruise to the Bahamas with a defective copy of Clive Barker’s Weaveworld that was missing 50 pages.)

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